Both locations allowed me to accomplish some dramatic lighting. The film is essentially a nighttime chase through an ally and a warehouse, so I lit the piece with a hyped realism, imagining what the locations would look like in real life and creating a high key verson of that look.
The killer is revealed by the light of a match as he lights a cigarette after he identifies his target.
He's then revealed by the flashing amber light of a "walk" light on the street as he lowers his gun to shoot.
I lit the ally as if there were only a couple streetlamps, and maybe some fill light from windows.
|Main Page||Credit List||Background||Printable Resume|